Creating Painterly Images with Movement and Multiple Exposures

Kathleen Clemons

Move beyond the obvious and paint with your camera! Fine art photographer Kathleen Clemons shares her favourite techniques.
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Using the Guided Upright Tool in Lightroom

Jason Bradley

Less than perfect horizontal and vertical lines in your scene? Guided Upright (and Jason Bradley) to the rescue!
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The Power of Photographing Icons

Rafael Rojas

When does a landscape photograph become fine art? Rafael Rojas shares what he's learned.
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In Conversation: Susan Burnstine (Part II)

Cynthia Haynes

Susan Burnstine creates her own cameras to create the images that her dreams are made of.
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In Conversation: Susan Burnstine (Part I)

Cynthia Haynes

Susan Burnstine makes her own cameras and lenses, and what she creates with her handmade gear is what dreams are made of.
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Controlling Your Edit with Lightroom's Tone Curve

Kate Densmore

Kate Densmore tells why the Tone Curve is her favourite tool for making a good edit great, and how to make it work for you.
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Making the Image: David duChemin

David duChemin

Can one photograph tell a story? Indeed it can. David duChemin shows you how by walking you through the making of one image.
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3 Ways to Make More Honest Portraits

Sherri Koop

Learn three ways to make more honest portraits, either with or without film.
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The Adjective-Driven Approach to Photography

Andy Biggs

As visual artists, we tend to think in images. But how might your portfolio improve if you assigned an adjective to your work? Andy Biggs has an idea.
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In Conversation: Oded Wagenstein

Cynthia Haynes

Find out how and why National Geographic photographer Oded Wagenstein makes emotional, vulnerable portraits that speak to cultures around the world.
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Making the Zone System Work for You

Michael Frye

Learn how to understand and use the Zone System to make better exposures. Be like Ansel; get into the Zone!
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Ten (More) Ways to Improve Your Craft

David duChemin

David duChemin shares his newest top ten pieces of unsolicited advice for photographers.
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